List: bsfa-award-nominees

Provenance by Ann Leckie is set in the Ancillary universe, but doesn't have much to do with the Radch or any of the known characters. Instead, it's a pleasant little space-opera adventure. I enjoyed it a lot, even if it didn't have the same quality as the Ancillary trilogy – it clearly doesn't aim to be the same book, and that worked for me. The protagonist is young, sometimes clever, but noticeably inexperienced and often wrong. There are a couple of inconsistencies in her character, I'd say (both painfully insecure, and sufficiently sure of herself to pull off big plots of her own?), but having the inner view on a clever, but anxious person was convincing, all things considered. As usual for Leckie, relationships are not really fleshed out (because, again, the protagonist is somewhat clueless, although we do get a very low-key romance), so it falls to the reader to notice interactions and draw conclusions. The worldbuilding was very good, as to be expected, and I'd have loved to see more of it, especially of the different human and non-human cultures.

Generally, A Desolation Called Peace is nearly as good as A Memory Called Empire. It replaces parts of the intrical cultural commentary with very alien aliens who need to be communicated with, but surprisingly, the aliens are one of the weakest parts of the book. This is basially the anti-Tchaikovsky, where humans are inevitably more interesting than even hive mind aliens.

Wow, this book was … a lot to take in. I liked it very much. Getting thrown into an Ankh-Morporkesque city, discovering alien races, and characters, and social structures was awesome. I noted with thanks that there was very little of a conventional story arch, so that the overall direction of the story only grew really clear when reaching 50-65% of the story. The very clear-cut and very different characters were relatable and realistic, and the final twists were all the better for the fact that they were not positive.

The Scar is the second volume of Chine Miéville's Bas-Lag series, and it's as impressive as the first one. Only very loosely connected, we now explore the wider Bas-Lag world instead of New Crobuzon. Again, China Miéville excells with implicit worldbuilding, forcing the reader to think along and ahead (though there's less culture shock included than in Perdido Street Station).

3.5 stars, weird one. Greg continues to play with the rules of perception and what perceiving a thing implies, only this time we go on a trippy trip to parallel universe central, launching of parallel universes as we go, dropping through thousands of years and more, and "failing" (in one universe, and what's one universe) in the end because the aliens we created have a more solid and cohesive perception of reality than we do. I just felt the whole time that Greg made all the rules arbitrarily and could change them whatever way he wanted at any time. Which may have been due to me not understanding the premise deeply enough (and is a feeling shared by Maria, one of the two protagonists, at least).

Very odd one - had me laughing out loud some of the time, and nearly bored at other times. I think the pacing threw me off. Very stunning ending, though, totally worth it.

Inversions by Iain Banks is a non-Culture Culture novel – unexpected and refreshing. The story is told in Banks' usual masterful style, and all of pacing, characters, depth, and content are without significant annoyances. I think this is as much Fantasy as Banks will ever get, and I enjoyed the never-quite-touching storylines, and the connections you really had to look out for (and that were never explicitly explained). The fact that I knew that this was a Culture novel added another fun layer, too, because I was constantly considering who was part of the Culture and what their goals were.

I liked The Sparrow a whole lot. Part of that is just that I like the premise: Jesuit First Contact? Hell yes! The Jesuits are the science-minded and intellectual ones among the Catholic orders, and at the same time very capable of actions and decision-making.

Pyramids was fun in many ways – not just the pyramids! The look inside the Assassins Guild was very intriguing. Though the thing I remember best is the long chain of ancestors, who can only communicate with the next one or two in line because language has changed too much through the generations.

A Closed and Common Orbit by Becky Chambers is the second part of the Wayfarers series. It's a good match for the first part: expanding different parts of the world, and worldbuilding, and starring characters that were not quite central to the first book. It delves into the pan-alien world and implications of sentient AI with a sense of wonder, and it's well-written, certainly. It's also … fluff, to use a fanfiction term. It's very much giving us a slice-of-life view of the world, with few to none real confrontations. It can be very calming and healing to see a world where most people just try to live their lives and be good to each other, but I'm happy that I'm only reading books like this very occasionally, as I was missing any tension or overarching … thing. But as a once-in-a-while relaxation read, it performs very well.

The City & the City is a very impressive scifi book, but while I can appreciate its coolness and weirdness, and I can't point to a single flaw, somehow the story didn't quite grip me, although the concept of the two cities was introduced beautifully.

I think my problem with Hyperion were my expectations. The book is touted as one of the best scifi books out there, and it didn't live up to that. Apart from this, though, it's a fine scifi book – relatable characters, each presenting themselves over and their (mostly tragic) history over the course of an equally tragic main plot. Then, just when we're supposed to get some resolution, it simply stops. WHAT? Yes. The entire book is giving the cast background to make us understand the stakes, and then leaves us hanging on a cliffhanger. I'll read the next one, but I'll do it grudgingly.

This is the infamous Culture book that's mostly ships talking. Which is not the part I disliked, the ships and their story were cool! But the humans were terribly one-dimensional and felt lazy, which distracted me from the cool Excession and nearly-as-cool intrigue.

Not quite sure what to think of this one. It's fast paced, but I think it tries too hard. I liked how it plays with multiple realities, or layers of reality, but both the plot and the pacing felt so … forced.

Really not sure what to think. Odd pacing, odd descriptions, odd … everything? I just didn't find my way into this world and this rhythm. The storytelling is a stylistic choice that makes sense within that world, but requires a dedication I don't feel motivated for (think Tolkien).